The Many Lives of El Lissitzky’s Proun 19D (1920 or 1921.
El Lissitzky’s Multilayer Photographs: A Technical Analysis klaus pollmeier photographs in the collection of The Museum of Modern Art (all but one from the Thomas Walther Collection), Lissitzky used elements of one montage for various other works, so even a reproduction may have become an original, if the desired image required a duplication.The Constructor is a Dadaist Gelatin Silver Print Photographic Print created by El Lissitzky in 1924. It lives at the Yale University Art Gallery in the United States. The image is tagged Self-portraits.Between 1919 and 1927 El Lissitzky produced a large body of paintings, prints, and drawings that he referred to by the word Proun (pronounced pro-oon), an acronym for “project for the affirmation of the new” in Russian.Lissitzky’s style reflects his training as an architect in Germany before World War I as well as the inspiration of Kazimir Malevich, a fellow teacher at the Vitebsk art.
In The Constructor, Lissitzky offered a masterful demonstration of how photography could be used to create a kind of art that was wholly new. The Constructor was completed in 1924, during the Russian artist’s sojourn in Berlin. The original work, now in the State Tretyakov Gallery in Moscow, combined a variety of photographic techniques.After a very successful one-man exhibition of Lissitzky's works at the Kestner-Gesellschaft in Hanover at the beginning of 1923, Lissitzky was commissioned to make a portfolio of colour lithographs as a New Year gift for the members of the Society. As this proved to be greatly in demand, the owner of the lithographic printing-press, Chapman, invited him to make a further portfolio.
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